Showing posts with label eBooks. Show all posts
Showing posts with label eBooks. Show all posts

Sunday, January 05, 2025

Litany For A Broken World

Cover* for Litany For A Broken World

After six years of work ...

After 3 (or maybe 4) false starts where I discarded 20,000 words and began again ...

After multiple crises of faith in my ability to write ...

After the help and encouragement of my family, writing friends, and communities ...

After a writing residency at the Eagle Hill School ...

After a computer meltdown and repair ...

 

I give you Litany For A Broken World.  

A modern adult reworking of/homage to The Wizard of Oz that takes place in a Boston homeless encampment. 

A young girl's disastrous first foray through the multiverse cleaves her from her family and abandons her in a homeless encampment, adrift in a world and a body not her own.

A doctor struggling with grief volunteers for the annual Boston homeless census and is confronted by the impossible and her deeply buried childhood trauma.

A lonely, disaffected seer rejected by those he seeks to help is drawn from his home by a desperate call across the world walls.

When the three strangers, each broken in some way, are drawn together in a conflict between those with the ability to travel the multiverse and the organization seeking to exploit them, they must risk everything that matters to heal the fractured places in themselves and throughout reality.

Coming February 10, 2025

 

 Pre-orders are now live for the ebook version. (Available at all retailers). Print is forthcoming.

 ______________

 

This is the book that nearly broke me as a writer. One that wouldn't let me go once the characters took hold in my subconscious. 

As frustrating as my slow writing process was over the past 6 years, I don't regret the work this book required to reach the finish line. It was an ambitious story. 6 years ago, I didn't have the skills to do it justice. None of what I wrote and discarded was ultimately wasted, even as it wasn't used in the novel. Those words, those attempts, were all part of what I needed to level up in my writing ability. 

And isn't leveling up critical to the creative process? I'm not in competition with any other author or book out there in the world. I'm here to work harder and write better than my past self. To grow as a creator. To fail better in the immortal words of Samuel Beckett. 

I hope I have failed better with Litany. And I will continue to work and stretch as I complete book 2 in the Entangled Realities series, Every Sky A Stranger. I'm currently just shy of the 25% mark in drafting and making good progress. 

 

_______________

 

If you are a reviewer/book blogger and would like a complimentary ebook copy to review, please email me: lisa@ljcohen.net


*Cover art created by the lovely and talented Chris Howard


 






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Friday, May 26, 2017

The process of Parallax

The novels of Halcyone Space





One of the questions I'm frequently asked by writers and non-writers alike is what does my process look like.

So I thought I'd do a quick overview, using PARALLAX as an example. The way I do this is by no means the only way or the best way; it's what I've settled on after writing more than a million words of fiction over the past 13 years. As always, YMMV. (Your Mileage May Vary)


July 2016:  Begin drafting during a week long retreat at a friend's summer home in Vermont.

This is the phase where I take a cheap Staples brand single subject spiral bound notebook and start brainstorming. Since this is book 4 of an ongoing series, it also means creating a document that outlines who knows what when at the end of book 3. It also includes reviewing the private wiki I have for my series bible.

August - December 2016 : Focus on drafting the story, including the goal of 1,000 words a day, for an average of 5,000 words a week. In any given week, I may not reach this goal, but I complete an approximate 100,000 word draft in 5 months.

December 2016 : After a 2 week hiatus after completing the draft, return to the story and complete a rough outline of the 4 quartiles of the book( This step is roughly based on Larry Brooks' Story Engineering and is particularly helpful in assessing the pacing of the story) as well as a chapter by chapter precis of each separate storyline. (Ro & Nomi, Barre, Micah & Dev, Jem & Gutierrez)

Because this book contains 4 storylines that must intersect, it is a more complex task than in other of my novels. I used a large white board. Across the top were the characters, down the side were the days, so I could see at a glance where everyone was at any given point in time as the story moved forward.
Initial 'alpha' read feedback received from several intrepid readers. First revision completed incorporating their story-level (big picture) feedback.

January 2017 : The completed 1st revision is sent to a cadre of beta readers, some who have read all of the series to this point, others for whom this is their first story in the series. This is a deliberate strategy because I want each story to be able to stand alone as well as work well together.
At this point, I solicited a back cover blurb from a writer in my genre.

February 2017 : Beta feedback comes in. It is read, assessed, and correlated. What I look for is patterns and consistency. If more than 1 reader has feedback on the same issue, it's flagged to review. If a single reader has a strong piece of feedback, it's flagged for review. Other issues - especially ones where it's what one reader has an issue with, but another notes it's what they love - are typically looked at as individual taste.
Several readers give me fairly substantiate critical feedback which requires careful assessment and consideration. I make changes to the story as a result.
March 2017 : As a result of the beta feedback, the 2nd revision is completed. After another few week hiatus, I print the manuscript out and do a 3rd revision.
Cover artist provides the initial draft of what will by month's end become the final cover.
Draft manuscript is sent (marked as such) to the author who agreed to read in order to provide a blurb.

April 2017 : Manuscript is sent to the editor. Continuity edits, copyedits, and proofing is done. The manuscript is returned.

May 2017 :  Editor's edits/suggestions are reviewed, considered, and incorporated in what is now the 4th and final revision. The manuscript enters the production phase.
Front and back matter is generated, beta readers are contacted for permission to thank them in the acknowledgments.
eBook formatting is done (using Sigil, an epub editor), print typography is done. Both take about 20 - 25 hours inclusive, as I have created templates and an efficient workflow for both.
Cover typography is created to echo the look/feel of the other books in the series. Files uploaded to CreateSpace and physical proof ordered. 
June 2017 : Publication. Final novel is approximately 110,000 words. During multiple revisions, approximately 15,000 words were excised, 25,000 words written/rewritten.


As the author/publisher, I:
write the draft
revise the draft
code the ebook
format the print book
give notes to the cover artist

I outsource:
the editing
cover art
cover typography/design

The key is to know your strengths and play to them. Hire what you are not comfortable and skilled in doing. Set a schedule if that helps you keep on track. Having been through this process multiple times now, I can reasonably and reliably hit this production schedule.

If you are working with an external publisher or publishing multiple books a year, your timeline will look different.

Feel free to ask me anything about the process, or describe how yours is either similar or different.

#SFWApro








email:


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Wednesday, June 01, 2016

Hello World! Meet Dreadnought And Shuttle!

Original cover art copyright 2016, Chris Howard


You'd think that after publishing five novels over the course of four years, that number six would be no big deal, but the reality is every time I release a book, it feels like a risk. I worry that the book won't find its readers. That I haven't done a good enough job with the story. That even if I did, it was a fluke and I won't be able to write the next one.

I know that much of this is just release-day jitters. Not only do I get them every time, but so does every other writer I know.

So here's DREADNOUGHT AND SHUTTLE, my sixth published full-length work, and third book of my SF series, Halcyone Space.

You can follow the link to my website or purchase venues and read the marketing synopsis (and I hope you will!) but I wanted to share the very brief description - also called an 'elevator pitch'  here:

When a materials science student gets kidnapped, she's drawn into a conflict between the crew of a sentient spaceship, a weapons smuggling ring, and a Commonwealth-wide conspiracy and must escape before her usefulness as a hostage expires. 
Or you could just say "MacGyver in space" and that would capture a lot of the story of Dev, the woman depicted on the cover.

So, if you'd like to read about conspiracies, sabotage, space travel, political intrigue, a recovering spaceship and her bold crew, give DREADNOUGHT AND SHUTTLE a try. And if you're new to the series, book 1 (DERELICT) is on sale for kindle (0.99) during book 3's release.

Amazon kindle
GoogleBooks
BN (nook)
Kobo
Print (forthcoming)

If DREADNOUGHT AND SHUTTLE is a book you think you would enjoy and you are planning on purchasing it, would you consider buying it during its first two weeks? (From now - June 15th) With even a small number of sales clustered together, the book will get noticed and promoted by Amazon's algorithms.

Even if you aren't planning on purchasing the book, simply putting it on your wishlist can give it a visibility boost. Would you be willing to place DREADNOUGHT AND SHUTTLE on your Amazon wishlist?

Many thanks! 


#SFWApro




email:

  • Free eBook
  • Free/DRM-free short fiction
  • publication news

Tuesday, June 03, 2014

#1000PostParty Champagne! Balloons! Noise Makers!

photo of balloons, courtesy of Crystal, CC license, attribution

We are just a few blog posts away from my 1000th post here at Once in a Blue Muse! I'm so thrilled that it coincides with my 9th blogging anniversary and the release of my newest novel, DERELICT.

I want to celebrate with you, my readers and I want to celebrate in two ways.

FIRST


One of my passionate hobbies is ceramics, and if you've followed me here on this blog or on Google Plus, you'll have seen photos of some of my work. I make far too many things to keep, and since it's the process that I love as much as the finished products, I end up bartering or giving them away.

So I thought I would tie my two loves - writing novels and creating ceramics - together.

If you purchase a copy of DERELICT, I will enter you into a drawing to win one of 6 or 8 (depending on what the kiln gods say) wheel thrown ceramic cups, made by yours truly.

Here are the rules:
  1. contest is 'live' until Friday June 14th, 11:59 pm, eastern time
  2. you can enter by:
    1. emailing me a copy of your purchase receipt, or
    2. taking a selfie of you reading the book, and either tag me on G+, post it on my FB author page, or email me the photo (lisa@ljcohen.net)
  3. You get one entry for each copy of any of my novels (eta: in ebook or print) you buy until the contest ends (backdated to May 31st, as some folks bought DERELICT during its weekend 'soft' release)
  4. This is open to anyone, anywhere on the planet
  5. I will notify the winners by email on Saturday, June 15th
Links to all purchase venues for all my novels are on my website: http://www.ljcohen.net/novels.html

SECOND

If you would like a chance to win a copy of DERELICT, please leave a comment sharing with me how you like to celebrate milestones, and on June 15th, I will choose 6 random entrants to receive one of 4 ebooks or 2 signed print copies. This is also open to anyone on the planet.
And as a bonus, anyone entering either contest will get an mp3 copy of the music composed for the DERELICT book trailer.

You can enter both contests.  Good luck! And thank you for nine amazing years of blogging!

Monday, June 02, 2014

Happy (Official) Book Birthday to DERELICT!

I hope you're not all sick of looking at this cover art,
because I'm still utterly in love with it! :)



Well, it's June 2nd, and the official publication date of my science fiction novel, DERELICT.

The story has been two years in the making, from my initial ideas in June of 2012, to a finished, polished novel in 2014.

The story of Ro, Nomi, Micah, Jem, and Barre could not have come to fruition without the support and patience of my family and my writing circle and I am extremely grateful for having these amazing people in my life.

To Chris Howard, who created the stunning artwork and captured Ro's loneliness and determination, my sincere thanks and deep appreciation.

There are also several authors whose work I respect, who have lent their support: To Lynn Viehl, Nathan Lowell, and Wen Spencer, thank you for believing in me.

This is what they have said about DERELICT:

"Get on board Derelict, and you'll take an edgy, nonstop flight into an audacious SF future with unremitting danger as your pilot -- and thrilling adventure your destination." 

          ~Lynn Viehl, NYT best selling author of the Stardoc and Darkyn series


"There's something special about watching an author reach her stride. LJ Cohen has done just that in Derelict. Intricate plotting melded seamlessly with delightful characterizations kept me turning pages as fast as I could go in an attempt to keep up with the unfolding story. A cracking yarn set in a lush future I'm hoping we'll hear more of."

          ~Nathan Lowell, Creator of the Golden Age of the Solar Clipper and the Tanyth Fairport Adventures.


"LJ Cohen deftly weaves together realistic teenage characters, futuristic technology, and big stakes for a real page turner." 


          ~ Wen Spencer, Award winning SF&F novelist, author of the Ukiah Oregon and Elfhome series

I am so grateful for their support and encouragement. If you are interested in reading DERELICT, it is available as a trade paperback and eBook in all the usual places.

Kindle
Barnes & Noble
iTunes
Smashwords

Amazon (print)
CreateSpace (print)

Now, it's time for this story to find its readers. I hope you enjoy it.

Wednesday, April 09, 2014

What's New in Your Corner of the World?

original cover art copyright Veris Maya

original cover art copyright Chris Howard




This Spring, I have two new projects in the production pipeline. A collection of short stories, "Stranger Worlds Than These," and an SF novel, DERELICT.

I'm very excited about them both, and I'm especially pleased to be moving forward on new things after what felt like a very long and difficult Winter.

The story collection (look for it end of April or early May) includes the SF story I contributed to our charity anthology, PEN-ULTIMATE, along with 6 others that have not been published elsewhere. Some have been included in my occasional newsletter, others are brand new. I used to think I didn't like short stories - not reading them and not writing them, but I realized that this wasn't true. My frustration with short stories is that they are hard. In some ways, they are far harder to write than novels, where the author has all kinds of wiggle room to explore and define character, setting, and conflict. With short stories, you have to punch it and hit your mark right away. There is no meandering around. Every word must count.

Short stories are much closer to poetry than they are to novels. But poetry is something I'm at home writing and once I realized this kinship, it became much easier to work with small narratives.

Another lovely thing about short stories is I can reward myself with one every night before I go to bed, with less of a risk of staying up way past my bedtime because I can't put the book down. :) I'm working my way through the Tor 5 years of story anthology this way and discovering several authors whose work is now on my TBR list.

I can't wait until I can release DERELICT (late spring or early summer, 2014) into the world! It's a story I love, with complex and diverse characters, an insane AI controlling a broken ship, and a chase through space. What's not to love? I have plans for multiple novels in this universe, so if you like space opera, stay tuned.

I'll be announcing the release dates on my newsletter, so please subscribe for the latest news and a sneak peek at one of the stories in the collection.

And I'm still working on TIME AND TITHE, the sequel to THE BETWEEN. My target date for publication is late Fall 2014.

Lots happening here at "Chez LJ". What's going on in your part of the universe?

Tuesday, March 11, 2014

There is no perfect

Wall of Navajo rugs, photo by lesliek, used with attribution, cc license

There is a story about Navajo (Dine) weavers: that they deliberately introduce an error in the weave, so as not to risk perfection. I did a little poking around the internet, but wasn't able to determine if this is a true cultural practice, or simply an apocryphal story. Regardless, it's an appealing idea, especially for someone as perfectionistic and self-critical as I am.

I pride myself on my careful eBook formatting. In fact, I even put together an illustrated how-to guide and have taught workshops at several SF&F conventions on eBook formatting, so perhaps I could be forgiven for thinking I was, while not an expert, at least competent. Over the past two years, I have devised and refined a workflow that creates both a well formed print version and a compliant eBook in both mobi and epub formats.

Or so I thought.

I had been flummoxed by returns on Amazon for my latest book, FUTURE TENSE. I posted about it on Google plus and I was extremely lucky that one of the readers took the time to leave a comment:  the mobi file was nearly unreadable on his Kindle because it cut off several letters on the right hand margins. He was able to read the book on his phone, and enjoyed the story, but had been frustrated by the formatting problem.

OY!

Believe me when I tell you I had tested the mobi file on multiple devices and on every reading app amazon has, including:

1st gen Kindle
Kindle fire
Kindle apps on an android tablet, PC,  and an iPod touch
all Kindle devices shown on the Kindle previewer (Kindle paperwhite, Kindle DX, Kindle Fire HD, Kindle Fire HDX, Kindle Fire HDX 8.9", Kindle for iPad, Kindle for iPhone)


(In fact, when I was working on the eBooks, I had more problems with the epub version, and the inability to get centered elements to center properly. Dealing with epubs is made more difficult by the lack of a good emulator for the Nook. But I am nothing if not stubborn, and was able to nail down that issue.)

Guess what physical device I didn't have? The Kindle keyboard.
Guess what device isn't emulated on the Kindle previewer? The Kindle keyboard.
Guess which device the gentleman who left the comment had? Yup. The Kindle keyboard.

Turns out, there's one line in my very simple css (cascading style sheet) that this particular device doesn't like. It's a setting for page width, that in the epub, ensures that centered elements are actually centered. I actually use a very simple stylesheet that I had thought I'd tested fully and adequately. I was wrong.

Here's the offending css:

 .body {
display: block;
width: 100%;
line-height: 1.2;
padding: 0;}


Taking out the width statement fixed the problem.

I was able to have a patient colleague test file after file until I found that one little width command. She celebrated with me when I sent her a clean, fully readable file.

My take home messages: 
  • No matter how careful you are, it's nearly impossible to create an error-free product
  • Testing on emulators is a first step, but not the only step. Until there are consistent standards across all eReaders, testing on as many physical readers as possible is the only solution
  • Do your best and don't beat yourself up for mistakes, but correct them as soon as you are aware of them
  • As soon as you think you've got a workflow that works, something in the industry will change
  • Try to keep a sense of humor
(A final note: If any of you purchased the Kindle version of FUTURE TENSE in the past few weeks and haven't been notified by Amazon, please go to your 'manage my kindle' dashboard and update the file. I've corrected the error and the new version is live.)

Sunday, March 02, 2014

Because Libraries


This rusting beauty is very much like the bookmobile I remember.
Photo by Sam Beebe, used with attribution.

I have a great love of libraries. When I was a kid, our public library even had a bookmobile during the summer and every week, I would be waiting at the corner up the street for the converted RV to show up. I was always first in line. The bookmobile was run by a husband and wife. She was the librarian, he the driver and every week during the summer, she would have a stack of books she pulled out especially for me.

I spent much of my childhood inside the welcoming and magical space of libraries; the public library of our town, and the libraries of my elementary, junior, and senior high schools.

My father, not a formally educated man, taught me from an early age that the only things you needed to succeed was the ability to read and a library card.

I still strongly believe this. Libraries can help level the playing field for kids and adults, no matter where they live.

For the month of March, I'm promoting library love:

If you purchase a print copy of either of my novels or the SF&F short story anthology I co-edited for a school or public library, I will pay the shipping (if you get it directly from me rather than amazon) and either way, gift you with an eBook copy.




THE BETWEEN is suitable for a middle school and up readership, FUTURE TENSE for high school and up. Though I've had younger readers read and enjoy both stories. (And adults, too. No need to be shy about enjoying YA books.)

The PENULTIMATE ANTHOLOGY is suitable for all ages.

You can see the covers, read the blurbs, and see the links to purchasing venues here: If you do buy from Amazon or CreateSpace, send me an email with a copy of your receipt and the name of the library of your choice. If you buy directly from me, send me the address of the library and I'll ship it for you. Either way, I'll send a note to the library acknowledging your donation and I'll send you the eBook copy in your choice of formats.

Good for libraries, good for you!

Monday, September 30, 2013

Invasion!


Anyone who knows me knows I spend a lot of time on social media. But I promise, it's not *all* wasting time.

I'm especially active on Google+, where over the past year, I have gotten to know a host of creative artists, photographers, and writers. G+ is basically my virtual water cooler; a place I where I can drop in and have a conversation, follow an interesting link, or share my frustrations and/or daily writing triumphs.

It's also a place to network and to collaborate.

Somewhere in my G+ stream, I stumbled across a call for submissions to a series of themed anthologies through Charles Barouch. His idea was to put out a theme and see what his fellow writers would create, based on it. The first "Theme-Thology" theme was 'invasion.'

Interested authors were asked to create a story based on their interpretation of the theme. The only direction we received was that these stories needed to fit in the speculative fiction genre. The rest was completely up to our creativity. That's the kind of challenge I really love and while I mostly write novels (short stories are *hard*. I think they're actually harder to write than a novel) I decided to give it a go.


Charles created a G+ community where the Theme-Thology authors could workshop their pieces privately, which created a lovely peer group. In addition, he solicited artists to create the cover as well as create an illustration for each story. All the artists and writers were active folks on G+.

For me, the process combined the best parts of a writing prompt, a critique/support group, and a publication opportunity.

After recently completing an anthology project of my own, I can tell you it was a whole lot simpler just submitting a story and letting someone else have the headache of deadlines and organization!

Well, the Theme-Thology: Invasion is now live and my story, "I was a Teenaged Alien" is included. Probably less of a full scale alien invasion than the running away of one alien teen, it none-the-less fits the theme. It's somewhat of a departure for me, being a bit lighter and less serious than my usual writing and it was inspired by living with my own teens, who at times were fairly alien to their own mother. :)

You can buy the e-Book here, on Amazon. Other platforms will be live shortly and I'll update the post with those links.

I have also submitted a short story for an upcoming themed anthology called "The Day I Died." If you're interested in the Theme-Thology concept, or want to know what other collections are forthcoming, take a look at HDWPBooks.

Monday, July 15, 2013

Readercon 2013: A Round-up

A lovely and unexpected acknowledgement

I've been to Readercon for several years now, but this year was the first time I've been on the program. It was an outstanding weekend and I am extremely grateful to the programming committee for giving me this opportunity. Over the course of the con, I participated in 3 panels, a reading, and a signing, including one where I was moderator.

I've done tons of public speaking before; in my capacity as a physical therapist, I've spoken in front of national conferences with an auditorium full of medical people without blinking an eye. While I have also done some other cons as well as bookstore readings and open mic nights, this felt different. I definitely had the pre-con jitters Friday morning as I got ready to drive to Burlington.

Predictably, my first panel was the one I needed to moderate. Nothing like diving into the deep end of the pool, right?

The Chair Became the Suit: Expressions of Disability in Speculative Fiction. Gwendolyn Clare, Lisa Janice (LJ) Cohen (leader), Shira Lipkin. Disabled characters have gradually become more common in SF/F, including entities as different as Batgirl/Oracle, Nahadoth, Toothless, and Hodor. In genres that offer the possibility of writing out or eliding disability using technology or magic, what do we see when authors choose to feature it prominently instead? How do authors and characters handle questions of access—to physical spaces, to assistive devices, to therapeutic treatment, or to participation in the community?
Suggested by Sarah Pinsker.

My panelists, Gwendolyn Clare and Shira Lipkin couldn't have been more gracious and helpful. We pulled in Sarah Pinsker and our unofficial/stealth third panelist because she had suggested the panel and had helped us brainstorm for it.  The conversation was wide ranging and thoughtful, as were the audience questions. It's an important subject and one I'm thrilled got presented at Readercon. We could have talked for at least another hour and I hope this is something we can revisit in future years.

A little later Friday, I reprised the eBook formatting panel I had done for Boskone and had a ton of folks come find me afterwards to thank me for demystifying the process.

On Saturday, I gave a 30 minute reading of about 2 chapters from DERELICT, my SF novel currently on submission. Apparently, I did not stumble or mumble excessively. :)

On the advice of my writing mentor and friend, Jeff Carver, I put out a bowl of dark chocolate as 'con-bait' for my signing Sunday morning. At 9 am. I was certain I would sit stiffly for a very lonely hour. Fortunately, I was paired with the interesting Ben Loory (we did a book trade and I'm looking forward to reading his short story collection, "Stories for Nighttime and Some for the Day") and (huzzah!) folks did wander over for interesting chats and to buy my YA Fantasy title. :) I blame the chocolate.

I participated in one final panel on Sunday--writing for the YA and MG audience.

Writing for Younger Readers. Lisa Janice (LJ) Cohen, Jordan Hamessley, Alaya Dawn Johnson, E.C. Myers (leader), Phoebe North, Shveta Thakrar. How do middle grade (MG) and young adult (YA) authors and editors write for children and teen readers? How do they make science fiction more accessible for kids, build complex fantasy worlds, and 
develop authentic characters with diverse backgrounds? This panel is ideal for anyone writing MG or YA or interested in finding books with plots as rich and complex as any novel targeted to adult readers.

Eugene Myers did a fabulous job of moderating, posing interesting questions to us and keeping the conversation flowing. It was an odd moment, as I looked at my fellow panelists, when I realized I was old enough to be any of their mothers! It gave me an interesting perspective on how YA/MG has changed in a generation.

So that's the 'official' Readercon stuff. The unofficial part of the con was in connecting with old friends and new, and in the book launch of an anthology of short stories, written by graduates of the Ultimate Science Fiction Writing workshop. 

One of the most proud moments of this past year was when I handed each of the contributors, my co-editor, and our writing mentors, Jeff Carver and Craig Shaw Gardner, their copies. Seeing the excitement and pride in their eyes made the last weeks of insanity completely worth it.

Thank you to Prime Books and Paula Guran and Sean Wallace for agreeing to place Pen-Ultimate on their table in the dealer's room and then to donate the full purchase price to the cause. (All proceeds are being donated to the SFWA Medical Emergency Fund)

And that bring me to the screen shot at the top of this page. The talented and gracious Chuck Wendig wrote a blog post about the anthology that he tweeted about. That tweet was then re-tweeted by THE Margaret Atwood. :swoon:  I found this out Friday--just before my first panel.

If you want to see the famous cover she admired, or want to have 11 great stories to read while supporting a great cause, purchase links and info are here.

Wednesday, February 06, 2013

eBook Formatting: Possibilities and Limitations

While we are well into the eBook revolution--far enough in so that it's pretty safe to say eBooks and eReaders are not a fad and have become a permanent disruption to print books--there are still significant limitations on how eBooks can be presented to the reader.

TL;DR
  • You CANNOT duplicate sophisticated print typography in an eBook
  • Readability is still the key, but your formatting choices are limited
  • eReaders give most of the formatting/display control to the READER not the WRITER
  • best practice involves formatting for the simplest common denominator (compatible with all devices)
  • everything written here will change

e-Book Formats: MOBI and EPUB
At the very least, you will need to create two types of eBook formats to get your book in all the major marketplaces. Yes, eBooks are currently where Betamax and VHS tapes were in the late 1970's with two major formats that don't play well in one another's sandboxes. I'm referring to MOBI (Amazon's basic file) and EPUB (everyone else's). There are dozens of other eBook formats, but none of them have the market presence of these two.   

(If you want to see a rundown of all of them, this wikipedia article is a great overview.)

"But what about .azw and .kf8?" You ask. Those are Amazon's tweaked formats for their tablet devices. Currently, all amazon devices will render MOBI files and while you can do some fancier things with kf8 for the fire, those fancy things will not be shown on earlier devices. 

The good news is that both EPUB and MOBI are actually a limited subset of HTML with some fancy wrapping to make them displayable in eReaders, along with the cover and any metadata the author wants included. 

HTML? What's the Problem?
If you were displaying your book as a webpage, you could have it render just about any way you wanted. There's so much you can do with a good combination of HTML and CSS, even without resorting to other fancier programming. BUT, eReaders will not render all of that lovely code.

Understanding the limitations of what code eReaders will and won't display is key to creating clean eBooks. (An example of the HTML you can use for making Amazon compliant ebooks.)

Currently, there is no good way to render dropped caps, for example. It is possible to create an image file for the capital letter and have the rest of the word be text. However, when people increase the font size on their eReaders, your lovely image of a dropped cap will not change in size along with it. In addition, To the best of my knowledge, it is not possible to create a transparent image that will display properly on eReaders. A white background for a text image or a scene break glyph will be invisible if the user selects a white background for the eReader. But that is not a given and you need to consider how your images will look if the reader selects white letters on a black background, for example. (Your lovely image of a black dropped cap on a white background will potentially look quite odd.)

And because the exact subset of HTML that each reader is happy rendering is different, "KISS" is the rule that applies.



This is an example of the print book format of the first page of THE BETWEEN.

Notice the very simple formatting choices--Bold, large initial letter, first 5 words of the initial paragraph in small caps, leading paragraph flush with the left margin, subsequent paragraphs indented.

The serif font was chosen for in print readability and the leading and kerning were also set. The text is fully justified, right and left. Notice the hyphenated world in line two "be-fore". That will be the same in each copy of the book.
This is a screen shot of the EPUB version of the same book.

Notice the chapter heading is indented, but not centered* and the font is one that the eReader defaults to.

Bold formatting is understood and rendered, as is small caps for the opening words, but all paragraphs are indented* and there is no larger or bold font for the first letter of the first word.

There are no hyphenated words on this page, but that would change depending on the font size chosen by the reader. The eReader wil automatically reflow the text.

Text is only left-justified.

This is a screen shot from the kindle paperwhite of the same page.

Notice the different font chosen. It is a san-serif font.

The text is fully justified, right and left.

Regardless of the stylistic choices, be certain to select some typographic look that distinguishes the opening line of a chapter and/or scene. 
*Note: Centered headings and no indents of initial paragraphs CAN be easily coded in current eBooks, but were not in this case.

Because I wanted the end experience to be similar across print and eBook platforms, I chose simple formatting that biased readability over all other style considerations.

Embedded Fonts
We are just beginning to see the ability to embed fonts in eBook files. However, this may not be best practice given that the fonts will not render on earlier and eInk devices. Again, I caution you to format thinking of backwards compatibility.

If you have a book whose design heavily relies on custom fonts and precise formatting and you feel the eBook must match it, then the only choice you have currently is to have a specific book app created in android and/or apple formats. The tablets will likely render it appropriately, but not a dedicated eReader (kindle, nook, etc) Therefore, your market will be smaller.

Tables and Images
Because of the way eReaders allow end users to control font and font size and because of the wide assortment of screen sizes of those readers, displaying tables and images can be problematic.

Consider your readers will be looking at your book on a smartphone screen and/or a large tablet. Images can be centered, but playing with sophisticated text flow around them won't be able to be rendered by most eReaders. Keeping the images reasonably small will keep the image and the text at least potentially on the same eReader page.

For tables, the problem is even worse. Large amounts of data in tables will be broken over multiple pages, especially in small screened devices. One way around this is to present your tables as image files. However, the text will not reflow if the user increases the font size and a large image may also break over a page.

You can also consider displaying table data as bulleted lists, if possible. It's potentially a better solution for device agnostic formatting in that it allows text size reflow. However, some tables may not be able to be converted in this way and still make sense. Another possible solution is to present the data as an image along with a link to the table on a webpage or as a downloadable pdf file for the user.

Best Practice, as of February 6, 2013
eBook formatting is still in its infancy. Most of what I have reviewed here will likely change in the next several  months to a year as technology marches on. But for today, at least, best practice includes:
  • simple formatting for readability over other style considerations, and, 
  • backwards compatibility to reach all eReader devices.
If you are a DIY type, you are welcome to download a free guide to using a combination of open office and calibre (both open source, free programs) to format and convert documents to eBooks. This will only do a good job on its own with relatively simple novels. More complex formatting requires hand coding in HTML, using CSS, and understanding what eReaders will and will not render.

I appreciate your thoughts on this post and if you have information and/or resources to add, please do leave a comment.