"They may think it's a movement"

The first MTI cap fresh off the needles

Like so many of us, I have been watching - bearing witness - to ordinary citizens being subjected to brutality by their own government. Unlike so many times in history, this isn't happening in some far away country while we sit on our sofas in front our our televisions wallowing in smug satisfaction over our democracy. No. This is our crisis. This is our country falling into ruin before our eyes. 

I live in a "blue" state - I put that in quotes because I think that classification of blue vs red states is a false dichotomy. Yes, our nation is fractured, but it's not so easy to delineate where those fault lines are. And it's certainly not purely geography. 

And while there have been incidents of ICE disappearing people here in Massachusetts, we have not seen  the militarization of our state by swarms of masked armed and booted thugs like Minnesota and Illinois and Oregon and Washington, DC and so many more have. 

I feel powerless against this. What can one person do against an impending avalanche except stand there and wait to be swept away? 

So, I write letters and leave messages for my elected officials. I donate to mutual aid, activist, and charitable organizations in places that need it most. I have invested my time, energy, and money into my small community because the old hippie saying "think globally, act locally" is still true. Still critically important. 

It doesn't feel like enough. 

I'm a 62 year old woman recovering from major surgery. I can't put my body on the line in a protest - at least for now. There are stand outs in many of the little communities near me that I have participated in and will go again. Being around even a small group of people who believe as I do that no one is illegal and constitutional rights are granted to all is energizing. These small gathering aren't going to make ICE leave Minneapolis, but they add to the chorus of voices all over the US saying this isn't right. And that's important.

This week, protest has looked like a lot of red yarn on knitting needles and crochet hooks. I attend a weekly knitting group made up of mostly other post-menopausal ladies with white hair. We are just ordinary women. Making items for our loved ones and ourselves. We bring in our works in progress to ooh and ahh over. I am working on mastering cables. Another woman, toe up socks knitted two at a time, Still another, stranded colorwork. 

We are setting aside those projects and making the "Melt the Ice" red protest hat. 

Does it matter? 

I think it does. I think seeing a handful of woman walking around town wearing tasseled peaked red hats is a symbol. And when each of those women make several more hats (I'm on number 3) and more and more people walk around wearing them? Well, in the immortal words of Arlo Guthrie from 'Alice's Restaurant' well, "they may think it's a movement." 

I understand why there are some criticizing this as merely performative. But for one thing, the pattern has been purchased by thousands and thousands of yarn artists with all the proceeds going to support immigrants in Minnesota. (You can buy the pattern here.)  That's not nothing. Several hundred thousand dollars and going strong. But mostly, here's what I think: We need to show who we are and what we believe. Staying silent in the face of evil is evil. And if one person stops me and asks, "hey, what's with all the red hats," maybe that's a chance to divert the avalanche. 

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When Fandom meets Craft

Finished and blocked!

While I learned to knit as a child, I didn't do much with it until I rediscovered the craft in my adult life. And thanks to youtube videos and the folks who run the Handknitting Association of Iceland, I learned how to make stranded colorwork yoke sweaters in the past year or so. 

The first few sweaters I made, I followed specific patterns, but then found a wonderful book about the process of creating a stranded colorwork sweater by Tin Can Knits called Strange Brew. 

I decided that I was going to make a bespoke sweater for myself with motifs from my favorite fandom: Doctor Who. 

A trip to Webs Yarn and I found Debby Bliss Fine Donegal - the perfect fingering weight wool and cashmere blend in the exact color I wanted: TARDIS blue. (It wasn't called that, but it should have been!)

Then it was time to design the sweater and plan the motifs. First I did a sketch. 

Initial concept sketch

I have a kindle scribe which I use for a lot of purposes. It was purchased primarily so I could edit my manuscripts on it, but it's also amazing for notating/adjusting knitting patterns (you can write on pdf's) and for sketching out concepts. 

Motif design for the TARDIS

 

Motif design for K-9

Then it was time to do some math. (Or maths as my friends across the pond say.) After making a swatch and measuring gauge (yes, it's a pain. I hate doing it. But I did it anyway.), I chose the size M/L in sock yarn as the template in the Strange Brew pattern book. That meant I knew how many stitches I had to work with around the cuffs, the waist, and the yoke, so I could layout the motifs and know how many repeats I needed to do and how many stitches I needed to put between them. 

For example, the question marks were 6 stitches wide by 11 stitches high. 

I had 60 stitches around the wrist to work with. That meant 6 repeats of the motif, with 4 stitches between them. (making the motif 10 stitches wide including the background color stitches.) Sleeves incorporate increases, and the overall pattern called for increasing 2 stitches each 6th round, but there's definitely wiggle room, so I did the increases before and after the question mark motif rounds without any issue. 

A tip for motifs: put in stitch markers all around to mark each repeat. For the question marks, that meant every 10th stitch. That way if you make a mistake, you catch it after a single motif instead of at the end of the round.

A second tip for motifs - set the 'beginning of round' to be at the back of a shoulder to hide any jog of the pattern. You may need to use some math to figure out where the first repeat starts so your design is centered the way you want it.

The entire project took me from initial design and starting on the sleeves in January of 2024 (if you saw me at Arisia or Boskone in Boston, you might have seen me working on it) to blocking the finished sweater in September of 2024. I did a few other smaller projects in between, so maybe 6 months of actual knitting time. That's actually not bad for a sock weight yarn and size 4 needles. 

I may turn this into a cardigan at some point, so I laid out the motifs so there would be a clear line down the middle to steek, but for now, I'm happy with it and will be wearing it at Arisia. 

I highly recommend getting the Strange Brew book if you have any interest at all in creating your own yoked stranded colorwork sweaters. The geek in me loves to know how things work, so it was definitely something I knew I wanted in my library. Or if you have a sweater pattern that you like the fit of, you can always just use it as the template and create your own fandom designs with a little math and patience. 

Closeup of the motifs during blocking

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